Family, History and Love

Wanda and I have been discussing, of late, the need to set down in writing some portion of our family history so that in the future our children and grandchildren will have the stories and tales of our lives direct from the source. The technophile that I am, I choose to do this online so that the what we write will be accessible and available for comment to our wider family (though I reserve the right to moderate those comments).

To that end, I have repurposed this blog. In coming posts, we will endeavor to provide an abridged story of our life (hey, everyone has their secrets). We're writing this for our children and their children and those that come later so elements of these tales will be familiar only to our family,

Monday, June 30, 2008

Infrared Photography

I've long been interested in infrared photography, but it's always seemed such as hassle to me. Back in the film days you had to buy special film, then load it in basically darkroom conditions. On top of that, certain cameras couldn't use the film because they used infrared beams in the body to count the frame advances. Finally, to shoot with infrared you had to use a special R72 filter to let only infrared light into the camera, which meant you had to pre-focus before you put the filter on and that your exposure would be extremely long compared to
a normal exposure.

In most cases, the advent of digital cameras didn't change things much really. While the digital sensor is, in fact, sensitive to both visible and infrared light, camera manufacturers place a filter over the sensor that among other things, removes the infrared light. So, while you didn't need to load the film in the dark, you still had to use an R72 filter to remove the visible light and exposures were still lengthy. Some cameras were much better than others at capturing infrared. The Olympus C2020Z, which I owned for a while, had a good reputation for IR photography, though I never actually used it for infrared.

What did change, however, was that the IR filter in a digital camera body could be removed and replaced with a sensor cover that did allow the infrared (actually Near Infrared) light to pass and all0ws for infrared photography without the use of an R72 filter and with normal exposure times. The image above is a test shot from my Canon 20D DSLR which has had this conversion completed. It was just returned from Lifepixel today (after about three weeks away) and this was taken in my back yard with a Canon EF 50 f/1.4 lens and converted to B&W. The image below was left in color and the red and blue channels reversed to make the sky blue vs. red.

This is going to make photography a bit more fun this summer, and I plan to use the converted camera extensively, but not exclusively, as part of my fairy project. It will also be fun to use it for some landscape photography along the Oregon Coast and for my planned trip to Crater Lake National Park.

Bad Knees and Photography

Bad knees and photography don't go well together. I spent 21 years in the US Navy, much of that on sea duty aboard submarines. Those years of climbing vertical ladders and standing for hours on end on steel decks left my knees in less than ideal condition. Of course, packing on the pounds after I retired hasn't helped much either. But, other than stiffness and the occasional arthritic flare up, I've been able to enjoy walking, hiking and photography with no issues.

For the last couple of weeks, however, my right knee has really limited my mobility. I didn't injure it, but suddenly it began hurting intensely - to the point where it was affecting my ability to sleep and inducing muscle spasms in my leg. Kneeling was virtually impossible, and I had to resort to using a cane to walk any significant distance.

Fortunately, I was able to get in to see my doctor the day I finally decided that it wasn't going to get better on its own. His diagnosis was gout! Gout? Holy Cow. My aunt and mother had gout and always talked about how painful it was. I know understand their pain. I'm currently on very strong anti-inflammatory meds and painkillers, but honestly, they don't help much. I just hope I can get this under control soon because we have our annual 4th of July cookout/party this Friday and I have several photo shoots I want to do over the next couple of weeks, and for anyone that has ever shot with me, you know how much I love to kneel and get low on the ground for a photo shoot.

Lately, it's been tough to even play with my granddaughter, and chasing her has been nearly impossible. Still, I can pick her up, hold her and hobble slowly over to the tree to let her climb. I better get this under control before the next two come along at the end of the summer, or I'll be in real trouble.

Sunday, June 22, 2008

Busy Week

It's been a very busy week. I owe several long e-mails to some friends, my to-do list seems to be getting longer instead of shorter, and it would be nice to get more than 6 hours of sleep in a night.

The week started out with a sick daughter and keeping the grandbaby all weekend and though Monday. I didn't mind that at all, but when they're two years old, it's all about them. You don't get very much accomplished beyond playing with the two-year-old. Actually, I love it and I'm not complaining. That was the best part of my week.

On Tuesday, though, I had to go on a three day business trip to California. I had several meetings during my stay there, but I managed to spend the first evening at my son's house. Since I wanted to spend some time with him, I really didn't do much work after the normal workday ended. I played Rock Band with him, then we went out to dinner with some friends of his, and then we came back and watched a Meg Ryan movie I've never seen before.

Although it only took me 45 minutes to drive up to his house from the San Jose Jet Center, it was a 2 hour commute back to San Jose the next morning for my meeting. The traffice was absolutely atrocious, and I had been warned that it would be. What I can't understand is how people put up with that. After my 8 years of a 4 mile commute to work and back, I certainly couldn't handle it.

My Wednesday meetings went well, but I still had much to do. I spent most of the evening working from the hotel. The internet connection there was terrible, though, and I had a heck of time getting much done. I didn't even try to work on any personal stuff. Finally I had to call it a wash and get some sleep.

Thursday meant travel back to Portland, and although the flight isn't that long, dealing with traffic getting back from the airport can be a real chore. Add to that, the cramped seating space aggravated my right knee and the arthritis in it flared up and I was barely able to walk. The rest of the afternoon was packed with meetings and phone calls as I tried to follow up on some time sensitive information that I required.

On my return Thursday, I discovered Wanda had a new "project" in mind which included me completely reworking one of the upstairs bedroom. She wanted to convert her craft room into a combination hobby room and kid's bedroom so we could have small guests over for the weekend without them having to sleep in the floor or on the couch. In fact, even as I write this, Ben's kids are sleeping on the floor and the couch in my family room after a long night of pizza, chips and Rock Bank.

Ben is, of course, my oldest daughter's boyfriend. The two of them had a work party to attend last night, so we agreed to watch Stephanie (13) and Trevor (11) both of whom are great kids. We also had our grandbaby again, so we had a full evening. My son had got me playing Rock Band, a music game for PlayStation 3, while I was visting his house, and I thought it would make great entertainment for when we have both kids and adults over for parties or just an evening with friends. It's quite fun and Stephanie, Trevor and I had a blast pretending to be a Rock Band. Makayla, the two-year-old, loves music and she was dancing all over the place. At some point during our play, Wanda got out the video camera and was recording us all. I'm sure that blackmail video will show up somewhere on the internet.

But I digress. Friday evening and Saturday morning was spent working on Wanda's projects. We finished cleaning out the garage, and then we went a picked up a set of bunkbeds for the room (which took a couple of hours due to evening traffic). On our return home, I spent much of the evening trying to copy all her files from her desktop over to her laptop, since part of the plan was to retire her desktop computer so she could use her small desk as a craft table in the closet of the bedroom. I also managed to find time to put together Makayla's new tricycle for her birthday today, as well as a Radio Flyer Wagon for her to use here at the house (and to carry my photo gear when I'm shooting out in the field - it's dual purpose toy).

Most of the day yesterday was spent putting an overhead light into the closet space so she would have light in her craft area. I'm wiring a combination switch and outlet so she has both light and power where she needs it. The problem is deciding how to route the wiring so that it remains primarily within the walls as it's an add on and I really don't want to crawl around in the attic insulation to make it happen.

Still, I did manage to spend quite a bit of time with Makayla yesterday. She led me on a merry chase through Home Depot when I went back to get some fasteners, and together we planted 25 Nasturtium seeds in peat pots so she can watch them grow over the summer.

And today is her birthday. We'll be going to a party later this afternoon and we have lots of presents to open, a Nemo birthday cake to eat, and games to play and pictures to take. It will be fun, but I don't know when I'm going to get to finish wiring that light!

Sunday, June 15, 2008

Woodland Fairy Shoot

Woodland Fairy Quick EditAfter nearly a year and a half of not being able to shoot anything on my Fae Project, I have been lucky enough to shoot two sets of photos this week. I've already written about shooting Garden Fairy with London Andrews, and then on Friday evening I got to shoot Woodland Fairy with Lilly.

I did a test shoot with Lilly at the beginning of the month. I showed her the wings, the costume design and the shoot materials during our test shoot and we agreed that we would shoot during the next good weather day. That day took nearly two weeks to arrive.

Lilly had never modeled before, but was excited to experience her first shoot. We did the make-up (ferns stenciled on the legs and body jewelry around the eyes) at my home before we headed out to the rural location where we were planning to shoot.

We had wonderful weather and the drive out to the shoot location was through a wonderfully scenic part of rural Oregon. Lilly and I chatted on the way out and I learned she was planning to run a half-marathon the next day. As you can see from the image, she's a fit and lovely model and a great choice for a woodland fairy. Her dark hair, eyes and golden skin gave her a look that was both exotic and a natural fit for the forested environs where we were shooting.

Though it was her first shoot as a model, she did quite well. We kept the costume changes and adjustments to a minimum and concentrated on integrating the poses and facial expression with the scenery on the hillside where we were shooting. Lilly was game to try most poses and was willing to pose among the ferns, tree stumps and various other vegetation. She did get cold toward the end of the shoot when the sun got lower and the breeze picked up a bit, but we shot just about everything I had planned and I was very pleased with our first shoot together. I have lots of images to work with and the one you see above was a very rough and quick edit of a random shot.

Thursday, June 12, 2008

Garden Fairy


I got to shoot with the most amazing model yesterday. London Andrews was everything I had hoped for and more. She was extremely professional. She could self-pose with exceptional proficiency. She even did her own makeup and hair. And to top it all off, she was intelligent, fun to talk to, and a lady in all respects.
I wished she lived in Portland so I could use her as a model more often.

She was orignially scheduled to be my Summer Fairy and I was going to shoot her out in the woods in Gaston. But the weather was just too chancey, so we wound up shooting in my backyard, which is small but quite photogenic.

We went through several costume changes (and three sets of wings), and she was game for just about anything I asked of her. She's definitely a lady in all regards, and I'd recommend her to any photographer who wants a classy model for a photo shoot. Even the test shots for exposure came out great (see the image above and to the right).

I'm more than willing to shoot with her again, bu alas, she tells me that she's retiring form modeling at the end of this year. What a loss for us those of us with an interest in glamour photography!

Monday, June 02, 2008

Test Shoot with Lilly

I did a test shoot with a new model on Friday. Lilly is a lovely, slender girl with long dark hair and beautiful brown eyes. She has agreed to be one of the models for my fairy project and I think she's going to make the perfect woodland fairy.

We did our test shoot in Cathedral Park under the St. John's bridge. It's one of my favorite places to shoot, and I've shot several models there including Sierra, Autumn and Gabriell. If offers a great variety of settings which include a small beach along the river, several wooded areas, park benches, a dock, willow trees, an open fields, a concrete pavilion, and the bridge struts itself.

Since Lilly was test shooting for a woodland fairy, we stuck to the wooded areas and primarily concentrated on how she self-posed, how well she took directions, and how her skin and hair tones stood up against the wooded background. I have to say that everything was excellent. She also got into character and worked at showing me some fairy moods (curious, reflective, frightened, etc.). Her skin and hair tones stood out quite well against the green backdrops and complemented the dark brown of the tree trunks and limbs. She has a natural ability to pose, and can get into character quite easily provide a variety of expressions. She also has the ability to express emotions with her body language, which will help a great deal as we get into the actual shoot.

I brought all the costume materials to show to her, explained how we would proceed through the project, i.e. how the materials would be used, what kind of makeup would be involved, how we would progress from the fully covered shots to the final artistic nudes and got her opinions on the make-up and costume materials. She told me that after seeing the materials I had accumulated for the project, she was quite excited about moving forward with the shoot. Now it's just a matter of location, weather and timing.

My daughter's boyfriend has offered the use of his mom's property for my projects. His mom, a very lovely and nice lady name Shannon, has a lovely home on property out in Gaston. On the hill behind her home is a trail that leads through a heavily wooded areal with old trees, stumps, ferns and everything else one would need for such a shoot. Additionally, she has a large cleared area on her property that would work well for some other projects I have in mind.

There are other options too. There is a large wooded plot of land across from my house that might work well too, though not was well I think as the property in Gaston. Additionally, I have a friend, Mark, who lives up on Bald Peak, and I have permission from him to use his property for several shoots as well. In fact, the first fairy shoot (Autumn Fairy) was shot on his property. Another friend of mine, Dave, has offered me the use of his land as well, and I'm sure there are a couple more friends who would be willing to allow me the use of their property for a photo shoot. So, I'm lucky in that regard.

My only problem right now is a location for my water fairy shoot. I need a shallow steam of water that's fairly isolated. I have a spot in mind, but it's a distance away and is near a state campground, so it's not as isolated as I would like, though I have shot there in the past. You can see an example image from that location directly above. During the shoot where this shot was taken, the model and I were undisturbed and the closest people were three fly fishermen several hundred yards downstream. They didn't notice us at all during the shoot, or if they did, they sure didn't seem to mind. So, I'll probably go for a drive, despite the high gas prices, and make sure the area is still suitable before actually shooting there, but it would still be nice to find someplace closer, if possible.

Friday, May 30, 2008

Project Software

I've been using a couple of new software programs to help manage my projects - both my photography projects as well as my personal projects. The two programs are well integrated into Apple's OSX Leopard operating system and allow integration between a number of programs including the Address Book, iCal, iPhoto, iTunes and other Apple System Applications.

The first program is a simplified data based named Bento. It's published by the same company that makes the well known Mac database Filemaker Pro, an Apple subsidiary company. I've used Filemaker Pro for many years, though to make it work well I've had to purchase or find shareware templates that came close to my needs and then modify them to work for me. Filemaker Pro is the program I use to manage my photography business assets (track equipment, calculate depreciation, record new purchases, etc.). Bento is more user friendly and the interface is designed to not intimidate the casual database user. The program integrates well will Apples Address Book and as you can see from the example above, I'm using it to track the models who have worked with me or who will potentially work with me in the future. While I could do this directly in the address book, Bento gives me a more robust interface and allows me to customize the look of the data, add more media fields as establish a table of links that I can use to manage other related files in the data base. In the example above, I have a link to file where I track a specific photography project. If I use this particular (fictional in this case) model for more than one project, and I have a link on her record page to each of the project tracking sheets that I'm using. These sheets are files from another program that I'll be telling you about in a moment, but first I'd like to tell you a little more about Bento.

First of all, what do I like about Bento:

1. It's simple and intuitive to use. It can create an elegant looking data base using a number of themes and allows you to easily design a custom form.
2. It allows multiple forms for a record and gives you a Table View, an Overview and a Detail View as defaults. Of course, can delete or add views as you desire.
3. The integration with the Address Book and iCal is quite good.
4. The provided templates and themes are useful. The templates provide good starting points for a number of databases you can manage.

What I don't like:

1. Everything (all data) is kept in one data set. Over time this seems like it would create a bloated data base that would slow down and increase the chances of a crash.
2. Once you modify a project file (library) to your liking, you can't save it as a template and use it as a starting point for another library that would use similar fields.
3. You're restricted to using the themes provided and as far as I can tell, you only have limited ability to modify the colors/graphics within the themes.

Bento will probably improve quite a bit as it evolves as this is only the first release. It's not everything I would like it to be, but it's a nice start.

Numbers is the other program that I've been using quite a bit recently. It's part of Apple's iWork suite of programs, Keynote and Pages are the other programs in the suite. Numbers is essentially an intuitive and simple to use spreadsheet program. It's quite versatile, easy to manage, and fun to use. As you can see from the image to the right, I'm using it to track expenditure, contacts, and tasks for my summer photo projects.

It, too, integrates well with Apple's Address Book and iCal programs. For example, I can drag and drop contact data from my Address Book into the table for Model Contact data and the fields will be automatically populated with the information. There is less integration with iCal, or perhaps I just haven't figured it out quite yet.

What I like about numbers:

1. Simple, elegantly intuitive and easy to use. You can easily manage, create and maintain data.
2. You can save any file as a template and be able to use the same form for any number of projects. That's a big advantage over Bento.
3. Good integration with other Apple applications. You can browse media files right within the application itself or you can insert files directly with drag and drop from the Finder application.

What I don't like:

Well, I wish I could open an Address Book Record or create and iCal Event (with reminder) directly within a worksheet. This would be great for tracking key tasks and contacts within the project file. Maybe it can be done and I just haven't figured it out yet, but if so, it's not as intuitive a function as the rest of the program.

Numbers is obviously a more mature program than Bento, but I like the way I'm able to use them together to created a unified system for managing my projects. Now, if I could only find a way to export my Filemaker Pro Database over without having major reformat issues.

Thursday, May 29, 2008

Project Planning

I've been diligently working on acquiring the materials for my summer fairy projects. Right now, I have the materials for Woodland Fairy, Spring Fairy, Summer Fairy, Water Fairy and Winter Fairy. I have most of the materials for Fire Fairy, and I have the concepts in place for Field, Flower, and Dosmestic Fairy.

Most of the models have been found, and I'm working on locations this week. With any luck and with cooperative weather, I'll begin shooting around mid-June. Whether I'll be able to complete shooting all the planned images before the weather goes sour for the winter remains to be seen, but I'll give it my best shot.

On a personal note, I've been having quite a bit of insomnia lately. I'm not sure what's up with that as I don't feel bad, but it's very difficult to go to sleep at night, and I've been waking well in advance of the alarm. That's made me very slow today and multiple meetings throughout the day didn't help. I do have several e-mails I need to answer this evening, but I'm not sure I'm going to last long enough to pen a decent response. I do enjoy writing to people, but I also want to write a coherent letter when I write, so I may need to pass tonight.

Monday, May 26, 2008

Photography and Correspondence

I've recently begun corresponding with penpals again. Except for Barb, a teacher in Southern California, with whom I've been corresponding for many years, I haven't really been writing much. Lately I had been missing the fun of getting to know more about different people from around the world. I've always enjoyed corresponding with different people; learning about their lives, their interests and their cultures. In recent years, though, it seems that I just haven't had, or haven't taken the time, to write to people. Oh, I've attempted it a few times, but after a few bad experiences it just didn't seem like it was worth the effort. Also, when you place a penpal ad, you subject yourself to so much spam mail and so many African Scammers, Russian Love Brides, and other intrepid opportunists that it makes filtering through the e-mails quite difficult. Of course, as a man (and an older man), I certainly have it a lot easier than any women that might post an ad.

In any case, I've had a couple of very interesting responses and fun e-mail exchanges so far. With any luck, my new friends will find me intriguing enough to continue write to me and I'll be able to make a couple of new friends.

Thursday, May 22, 2008

Senior Portraits

A couple of weekends ago, I had the delightful opportunity to shoot some senior portraits for a young friend of mine. I have no idea why she chose me as her photographer, but I certainly tried to give her some great images for her final year of high school. She had to travel up to Portland from Florence to do the shoot, but fortunately, her step-dad was already attending a conference in the area, so her mom was able to drive her up the night before and we had almost a full day in which to shoot.

The shoot was quite enjoyable. She seems to be a natural at modeling and she obviously was having fun throughout the shoot, even though the weather was not very cooperative and she did get quite cool during certain portions of the shoots.

I was able to take her to several locations that I've used for my photography in the past; the PCC Rock Creek Campus, which has lots of interesting statues and structures that make great backdrops and props; an old railroad trestle with huge wooden beams; and Cathedral Park, underneath the St. John's Bridge. All the locations provided us with wonderful backdrops and she was able to have several outfit changes at each setting.

Here are some other images from our shoot:

This was taken under the St. John's Bridge



This was her "princess" shot for her mom.

Monday, May 19, 2008

Repairs, Models and Hot Tubs

After several months and several hundred dollars, the hot tub is now repaired, filled, and full of clean, hot water. The acrylic shell developed a small fatigue crack along the left edge of the captain's seat where the steps entered the tub. This occurred last June, and I repaired the tub myself with marine sealant as I wasn't so much worried about the cosmetics of the repair, and I figured that if it was good enough for the hull of a boat below the waterline, it would probably be fine for the static forces on a hot tub.

Unfortunately, I didn't take into account the possibility that someone might slip and fall into the captain's seat and cause a catastrophic failure of the repair. Which is exactly what happened. And since this happened in late November, I just drained the tub, covered, and let it sit through the winter rains.

With the recent good weather, though, it was time to get the tub back in service, so I got the Miracle Surface repair folks to come out and repair the acrylic surface in the tub.

They did a very nice job and managed to get the color and texture very close to the original. It's not perfect, but it's a much better match than the marine patch that I used. It also appears to be much stronger. The patch required 7-14 days of cure time, so I took that time to research how to best reinforce the patch from the underside. The surface patch made the tub water tight, but I needed to add structural strength underneath to keep the tub from cracking again.

From my research, I determined two things: 1) Hot tub shells don't normally crack to the point where they leak and 2) Most people don't want to fix them. I learned an additional bit of information as well - I had to use a fiberglass repair kit such as those used on cars and boat hulls. This meant using a resin and hardener and fiberglass matting or cloth in order to get the structural strength required. The fun part was that I would be working inside the hot tub shell and applying the patch to a horizontal overhead surface.

The interior repair actually wasn't so bad. I should have used fiberglass cloth instead of fiberglass mat, and I should have mixed my resin and hardener is smaller batches (the first large batch hardened before I could apply all of it), but all in all the repair went quickly and time will tell if the structural reinforcement will prevent a recurrence of the crack.

Once the structural repairs were complete it was a simple matter to fill the tanks, turn on the system, ensure the recirculation pump hadn't been damaged by the loss of water during the previous failure, and leak check the repairs. Once the water had been in the tub for 24 hours with no leakage, I added the chemicals and made the tub available for use.

As you can see from the photos, I like to use the tub for various photo projects. It makes a natural setting for swimsuit and figure shots, and provides privacy for the shoot. With any luck, I 'll get to use the tub for both sore muscles and photography during the rest of the spring, summer and early fall.

Saturday, May 03, 2008

New Models, Projects, and Frustration

I'm a member of several photography sites and forums. I have a portfolio on One Model Place, another portfolio on Model Mayhem, a Flikr account, as well as an account on Photo.net. I'm pretty well established as a photographer on several forums and in some print media as well. So, you would think that I would have too much trouble finding new models to work with as I develop new projects. Unfortunately, that doesn't seem to be the case.

I recently put out a casting call for a series of projects that I plan to work on over the summer months. The casting call was for ethnic models, specifically black, asian and latino models, but of the 14 response I've gotten to the casting calls, only three models have actually taken the time to meet with me. Of those, one is actually moving away from Oregon in the next couple of weeks, so I'll be unable to use her in my projects anyway. The other two are in Salem, which is much more difficult, logistically, for the shoots, but because both models have acted professionally and have significant interest in shooting with me, I'm planning to use them for the project.

What I don't understand is why some models will respond to a casting all, indicate interest, and then refuse to meet with me to discuss the projects to determine if they would be a good fit for what I have in mind. I made it very clear in the casting call that I would work within the limits the models set for the images I wanted to shoot, but it seems every time I call or write the models that indicated interest, I get no response from the majority of those who replied.

It's really a shame because I would like to find two or three models I could use on a regular basis to explore different aspects of photography (Muses so to say). Sierra is probably the closest model to that right now. At least she's dependable. I think these other two models will work out quite well too, but I really do need another model with an African background to add to my portfolio as well. So, if you're a black female model in the Portland, Oregon area and you'd like to work with me, drop me a line please. :)

Sunday, April 27, 2008

Will Spring Ever Arrive??

This has been the coldest, wettest April I can remember since moving to Oregon in 1996. The ivy that covers the wooden fence around my house should be covered in fresh green leaves, but is instead only just now budding. The Japanese maple should full of color, but is bare and covered with moss.

Although this weekend has been nice with dry weather and relatively warm temperatures, it has been nothing like our normal April. We're all hoping that May will be better and we'll actually get more than two days of nice weather in a row.

The long term forecast calls for a hot dry summer. One can only hope, and I certainly do, as I have a number of outdoor photographic projects I plan to shoot with various models this summer. I'm giving up some of my normal faire and festival events to concentrate on expanding my portfolio to complete at least three more shoots in my fairly project. I've lined up at least three models already, including a lovely Asian girl, a Latino beauty, and blond-haired, blue-eyed lovely who will be my Winter Fairy (you've seen her in my portfolio already as I've done a couple of shoots with her).

So, although the weather has been less than conducive to photography, I've been working on planning for these projects (gather costume material, visualizing the images in my head, and getting the locations planned out for the shoot). I do need to find someone interested in being my photographer's assistant for the shoots, but I don't think that will be too difficult.

In the meantime, I'm continuing to post-process the images from my last few shoots. The model above, Lisa, has a very natural look, is very fun to work with, and when we finished our shoot, left me with over a 1000 images to sort through. Of course, not every image will be used or processed, but they still need to be reviewed and the best poses tagged for use. That should keep me busy until the weather gets better.

Sunday, April 13, 2008

Post Processing is fun? (NSFW)

Shoots are fun, but there is still lots of work to be done once the model goes home.

I haven't posted many new images here lately, primarily due to the amount of post-processing that I need to do on the images before I consider them ready for publication. Now, don't get me wrong, I think it's the photographer's responsibility to get lighting, exposure and composition right in the camera so that minimal post processing is required, but in the digital age, some post processing is required for almost all images, especially when working with human models.

In all cases, due to the anti-aliasing filter used in most Digital SLR cameras, some sharpening must be done post processing, especially if you're like me and shoot RAW. Even if I shoot JPG I have sharpening set to minimum so I can use the more powerful algorithms in my computer to sharpen the images instead of the smaller, less powerful CPU's in my cameras.

In addition, the best white balance can be set and fine tuned with the computer and, of course, the histogram and image curves can be adjusted to give the best details in the highlights and shadows.

Finally, models do not have flawless skin or hair. Often times a blemish, or even several blemishes will need to be retouched away. Small wrinkles will need to be de-emphasized or obscured, while wisps of hair will need to be removed from the face. Small threads have to disappear from the edges of clothing and fabric, and the overall look of the image will required some sort of treatment: B&W, a subtle color shift, selective coloring, additional vignetting.

Post-processing an image is what moves photography further along the scale toward art rather than merely the craft of recording a scene. After all, Ansel Adams did his best work in the dark room.

Friday, March 28, 2008

Shooting with Sierra

I had just an amazing shoot with Sierra yesterday. This is the third time I've shot with her (including her test shoot), and I have to say she just keeps getting better. She doesn't do nude shots, but she's quite creative when working with the photographer to produce images that are fun, sensual and even provocative. She has a great attitude and really enjoys collaborating in the shoot. And, as you can see from the photo to the right, she's quite beautiful.

When she arrived yesterday, she was ready to get to work and we managed to get through about 9 costume changes in the 3 hours that we shot. It's a real pleasure to work with her and she has great potential as she gains more experience. We're already discussing some projects we can work on this summer, so I'm really looking forward to completing more shoots with her.

Wednesday, March 26, 2008

Lisa

I had the distinct pleasure of working with a new model today. Lisa was prompt, professional, and very classy. She takes direction easily, self-poses and understands the photographic process. She understands hot to quickly accommodates the photographer's needs. She collaborated completely in the creative process and provided excellent suggestions on how to make the shoot better. Her enthusiasm was invigorating and contagious and made the shoot one of the best I've done in a very long time.

We were able to get through several scenarios in about 2 1/2 hours of shooting and it was definitely enjoyable for both of us. Lisa is very photogenic, curvy and has great legs. We were able to have a great conversation throughout the shoot which made it even more enjoyable for us both. I certainly look forward to shooting with her again.

Friday, March 21, 2008

Post-processing (NSFW)

Post-processing is the modern term for what photographers used to do in the darkroom. Some photographers disdain the idea of post processing and use the philosophy that if you didn't get it right in the camera you didn't do the job.

Other photographers obsessively post-process everything they capture to the point that the image is no longly truly a photograph but becomes, instead, a piece of graphic art. These folks use all the tricks of the computer trade -- saturation, sharpening, Gaussian blur, three or four filters, and so much more that they spend more time working on the computer than they do taking photographs.

There is another set of photographers that take a more lackadaisical approach to photography and use the philosophy that "it can be fixed in post processing." By this, I mean they don't excessively post process, but they're not particular careful with their original image so that they have to post process in order to correct obvious flaws with the image. Typically these go beyond difficult exposure and are in the realm or poor composition and extraneous objects in the field of view.

My philosophy lies somewhere off to the side of all this. I strive to get the image as close to the final product as possible as part of the initial in-camera exposure. In general, however, almost every image I publish will have some degree of post processing applied, though it's typically pretty minor. Usually it's a touch of sharpening and saturation, and if it's a high ISO image, some noise reduction. I try to shoot RAW image formats as much as possible so that I have as much data as possible to manipulate. I am not, however, against extensive post processing to produce a more graphical art type of image. In fact, I think that it's fun and I enjoy playing around with different techniques to produce those types of images.

Usually though, I take a minimalist approach and limit my manipulations to that necessary to subtlety improve the image and I try to make the post-processing indiscernible. Too much processing can render unnatural looking skin and make the model look like a plastic Barbie doll, or it can introduce easily noticed artifacts that detract from the overall look of the image.

The purist will tell you that the best images require no post-processing at all. I'm not sure Ansel Adams, Edward Weston and the other great photographers known for their film and darkroom skills would agree. I imagine that if they were alive and shooting digital today (and I'm sure they would be), they would embrace the computer as their new darkroom and would find the ability to appropriately manipulate their images without smelly and dangerous darkroom chemicals a great leap of technology and in creativity.

Wednesday, March 19, 2008

Tastes Vary

People vary and that's a good thing.

So, I've only been on Deviant Art a few days, but I've uploaded quite a bit of my work there. It's been interesting to note which images get the most views, which ones get the most comments, and the ones that are collected the most. It's even more interesting to visit the pages of the collectors to see what it is that they enjoy adding to their favorites.

Some people like landscapes, some like flowers, and many, many people like nudes. I suppose that's to be expected, but I was surprised at how many ladies also collected images of the female form. I suppose I shouldn't be as I've been a photographer for many years and I've met lots of women who have enjoyed my more erotic images.

So, I'll keep uploading a variety of work as it seems it does get looked at and enjoyed. That site is certainly helping my enthusiasm for photography, but I think it's more of an ego thing than anything else. I guess everyone needs their ego stroked from time to time.

Sunday, March 16, 2008

Themed Photography

I've been working on a series of photos with a unifying theme for a while. I've completed the first set of the series, and it seems that I have models lined up for at least the next half-dozen or so sets. The problem is that I can't seem to get the coordination of models, costumes and weather to cooperate to make much progress on the series. With any luck, though, I'll make better progress this year.

Although, I have no set deadline for any of the sets and the series is open-ended, it would be good to get at least a couple of more sets done this year, possibly even more. Last year there was just so much happening in my personal life that my photographic projects took a backseat to everything else. This year should be better.

I have several photographic expeditions planned and a couple of new and interesting models to work with so I'm looking forward to a fun spring, summer and fall. I already have three locations scoped out for my projects and ideas for what to shoot for each of the sets. So wish me luck.

Thursday, March 13, 2008

Deviant Art

My friend, Mark, who lives up on the mountain, got me interested in the deviantART website. It's an interesting site where people can share their art and creativity. It's more than just a photography site as there is a wide variety of artistic endeavors showcased on the site. People share sketches, writings, poetry, computer graphics, and even lyrics to songs they've written. I find that it's quite refreshing to read more about the creative aspects of art than the technical aspects that I find on most photography forums.

I've uploaded a number of my photos and graphic art experiments there, and have received a fairly enthusiastic response, so I'm quite likely to keep posting and contributing there, and I hope to make a few new online friends as well. Some of the people that post there are just beyond talented, and I'm sure I can learn quite a lot from them.

The photo above seems to be a favorite of many on that site and has been "collected" by several folks who seem to think it's a good example of pinup photography which is an area of photographic interest I'm currently pursuing.

If you are an artist in any media, you should probably check the site out if you haven't already done so. You may find something there you like as well as a new outlet for your creativity.