Completed Shoots

I've completed processing a number of shoots lately, but I"m still working on several more. I have three shoots scheduled for this weekend, and just finished one more yesterday evening. Photographically, I've been quite busy, but I've been having a blast and enjoying stretching my imagination and skills for each of the shoots.

I've been processing images for the models as they've picked them out for their TFP (Time For Print) sessions, but I'll still have plenty of images to processes over the winter, as well as a couple of other shoots that will occur during the cold season when we actually have snow on the ground.

I did a couple of photo sessions featuring three different models using a military theme. The first one, featuring Jennifer and April, was shot at Dragonfly Landing with the assistance of my good friend Mark, who shuddered with dismay each time I set my 5D MKII or my 1DsMKIII on the ground, and his girlfriend, Rainbow. That shoot went quite well, and the models were quite fun to work with, though a bit inexperienced and not used to taking directions or self-directing.

The other military glamour session was with Gabriell as part of her portfolio development, which is mostly complete at this point - at least as a starter portfolio. Shooting with Gabriell was both planned and not planned. Originally my idea was to shoot landscapes in the morning, starting and Ecola Point and Cannon Beach, then meet Gabriell later in the day in Newport and do more of a fashion shoot in Newport or Lincoln city. The day we were supposed to shoot, however, it was quite cloudy and cool; not exactly a day for shooting landscapes, so I just shot on down to Florence and spent the day shooting with Gabriell.

We did several themes that day. We started with the military shoot, then found an abandoned rail car and did a gypsy shoot. Nearby was a old gate where we did a country girl shoot, and then we used the abandoned rail line for a nude shoot. Finally, we finished up the day by shooting Gabriell as a pirate.

Gabby has come along quite well as a model. With a little effort she could do quite well as a glamour model and I think she would do especially well as a promotional event model since she has an outgoing personality and a girl next door look. Here are a few more of her looks from that day's shoot:

This is from our gypsy glamour shoot with the abandoned rail car.


And one from our Pirate shoot:


Tomorrow I have three shoots planned. I'll be shooting the Reaper Fairy with Gabriell's mother, Bridgett, ladies in chains with Wanda and Bridgett as the models, and in the evening the final Fire Fairy, with Melanie. Of course, I have more images to post from some of my other shoots as well, so there will be a number of future journal entries here show-casing those images. Right now, though, it's time to for bed so I can get an early start setting up the studio tomorrow.

The Tillamook Waterfall

Just off OR Hwy 6, about 22 miles southwest of the junction of Hwy 6 and 26, on the south side of the highway there is a little waterfall and a pool set back into the high hills along the highway. A large fallen log crosses the pool, and two large stumps stand on either side of the pool. It is not easily seen from the road, and therefore it's usually quite private and available for glamour photography.

I found these falls about 10 years ago, when my wife and I were regularly traveling to Tillamook for personal reasons. One day, on a trip back from the coast, we just happened to pull over into the large flat area along the highway and wandered back to find the falls. Since that day, I've used these falls to shoot various glamour and fantasy scenarios.

It's a dark, cool place, so you I have to shoot there during the middle of the day, when enough sunlight streams through the surrounding forest to light the area such that reasonable ISO settings can be used. And, because it's cool, it's best to shoot there during the warmest summer days, as the models can get cold quite quickly given the temperature of the water and the way the mist from the waterfall is trapped by the surrounding trees. Still, it is a beautiful place to shoot and one of my favorite locations.

I suspect I'll be shooting there for many more years to come, and if anyone else would like to use it, I'm sure you can find it from the directions I've provided about. So far, my models have loved shooting there, and it's always a fun place to shoot with lots of opportunities to experiment with light, water, and mist.

Of Bubble Fairies, Spring Fairies and Teenage Girls

I shot today with a couple of young ladies in Culp Creek Oregon. Heather contacted me via a castings call on Model Mayhem and wanted work with me - she especially wanted to be part of my Fae Project. I was hesitant at first because she is only 17, but she assured me that her mother was all right with the nature of the shoot and would be there during the shoot itself. Her enthusiasm for the shoot got her the gig and I agreed to travel down to her area to shoot as it was on my way to Florence where I would be shooting tomorrow anyway.

Last night, Heather contacted me and asked if I could find a spot in the shoot for her friend Morgan. Although it was a very last minute shoot and I had almost no time to arrange a costume and define the poses for the shoot, I agreed and told her we would meet in her area for lunch today and I would brief her, her mom and Morgan (who is 18) on the project and the concept as a whole.

During my talk the girls listened and I thought they understood what was involved with the project as a whole and the elements that interlink each of the photo sessions to the project as a whole. These are the materials used for the costumes (tule is used as fairy garb), jewels on the face and sometimes the body, and some degree of tasteful nudity in that the Fae are not clothes conscious and where whatever comes to hand. Heather's mom certainly understood and it seems she was reasonably impressed with my portfolio.

I'll give the girls credit. They did a great job in applying their makeup to my specifications, including the jewelry, the art crayon on the eyes, and the false eyelashes. I carefully went through the materials that would be used for the shoot and how they would be draped on the body. This is the part where it appears they stopped listening and came up with selective hearing because when we actually started shooting they balked a several of the costume changes I requested and for which I had pre-briefed them ahead of time. It seems they had their concept of the shoot and it almost but didn't quite mesh with mine.

We continued to shoot, nonetheless, and I worked hard to make sure we got some wonderful image. The shoot didn't start well either and the girls had planned to shoot down on the river which would have required a hike down a steep bank with all my gear, nevermind me being able to get down the bank and back up with my bad knee. So after driving about 15 miles to their shoot site, I had to call a nix on that and we had to drive 15 mile back to where we started (about 3 minutes from the hotel) to Morgan's parent's property where we ultimately conducted the shoot.

I had Heather run through several variations of the bubble fairy. It didn't quite work the way I planned because neither of the bubble machines I brought with me was able to work in the wind that was blowing. Morgan had to ultimately blow bubbles with a wand while trying to judge how the wind was blowing so as to get the bubbles to float toward Heather. It wasn't an easy job at all, but she doggedly kept at it and I'm pretty sure we got some good shots.

I then had Heather do a version of Spirit Fairy with elemental jewels. I'm sure I got a number of good shots from that set of photos. Heather changed wings a few times and I even got to do a couple of costume changes.

Then it was Morgan's turn. She got to wear the most elaborate wings for her Spring Fairy outfit and I worked to get several good backlit images for her. Heather's mom spent most of her time helping me with the reflectors and watching the girls costumes and wings while I concentrated on the composition and lighting. There was some pretty good teamwork in place for the entire shoot.
Of course, the girls at first told me there was no time restraints on our shoot, but then told me they needed to be somewhere a 8 pm, and then it was no, we need to be finished by 7:30 so we can get dressed, and somehow that turned into we really need to be finished by 7 pm so we'll have time to get back, dress and put our make-up on. I raised a couple of daughters myself, so I can't say I was surprised. I do hope they had fun with the shoot though. I'll have to say, I probably won't do a two model shoot in the future unless I'm working with older, more experienced models. This isn't to say the two girls weren't good models, but rather it's much more logistically challenging and time consuming to work with multiple models, especially when they have only just started modeling and haven't learned the ropes and unstated rules of professional shooting.

The images posted above are just quick grabs from the shoot. I picked them at random just to show some of the looks we were able to capture. With proper post processing on the skin, wings, faces and background, there will be some great images out of this set.

Tomorrow I have an afternoon fashion shoot and then a Sand Fairy shoot in the evening. Wish me luck.

Busy, Busy, Busy - Photographically and Otherwise

After not shooting for my fairy project for over a year, it seems things are picking up. So far this year I've shot Garden Fairy and Woodland Fairy, and I'm scheduled to shoot Summer Fairy, Bubble Fairy, Sand Fairy, Water Fairy, and Waterfall Nymph this week, as well as River Fairy next week. Additionally, I have models lined up to shoot Dream Fairy, Dance Fairy, Earth Fairy, Forge Fairy, Rock Fairy, Combat Fairy and Spring Fairy in August. After that, I'll probably need to take a break for a while to process the images and decide which ones should be included in the book and the calendar. In the meantime, I'm definitely staying busy with the shoots.

I did a test shoot with Holly yesterday afternoon. She is going to be my Waterfall Nymph (Fairy) which is planned to shoot on Sunday. I also interviewed Jane, who has some great ideas and the look for the Rock (Music) Fairy, and with Krisa, who had some great concepts for her Dance Fairy. I actually had a beer and was able to have a long and entertaining conversation with Krisa whose enthusiasm was quite contagious.

The photos you see here are some infrared shots from my test shoot with Holly. I'll be incorporating infrared into the future fairy shoots for an alternative look to give a more ethereal feel to some of the images. I'll be trying that out this afternoon when I shoot Summer Fairy with Ashley (a new model). Ashley is actually in the downstairs bath with her friend putting on the makeup for the Summer Fairy shoot as I edit this entry.

So, I have a very busy week ahead and with any luck I'll be getting some great images for the project and will have a lot of fun with some great models as we work together to create some exciting and fun photos.

Unfortunately, my right knee is still giving me significant issues (severe pain and muscle spasms which are exacerbated by walking), but I'm trying to bull through the pain and the limp with my trusty cane until I can get back to see my doctor on the 18th. Unfortunately for me, I'm one of those photographers that just loves to kneel or squat to shoot low angles of their subjects and my knee just doesn't work that way right now. Nevertheless, the shoots must go on.

Bad Knees and Photography

Bad knees and photography don't go well together. I spent 21 years in the US Navy, much of that on sea duty aboard submarines. Those years of climbing vertical ladders and standing for hours on end on steel decks left my knees in less than ideal condition. Of course, packing on the pounds after I retired hasn't helped much either. But, other than stiffness and the occasional arthritic flare up, I've been able to enjoy walking, hiking and photography with no issues.

For the last couple of weeks, however, my right knee has really limited my mobility. I didn't injure it, but suddenly it began hurting intensely - to the point where it was affecting my ability to sleep and inducing muscle spasms in my leg. Kneeling was virtually impossible, and I had to resort to using a cane to walk any significant distance.

Fortunately, I was able to get in to see my doctor the day I finally decided that it wasn't going to get better on its own. His diagnosis was gout! Gout? Holy Cow. My aunt and mother had gout and always talked about how painful it was. I know understand their pain. I'm currently on very strong anti-inflammatory meds and painkillers, but honestly, they don't help much. I just hope I can get this under control soon because we have our annual 4th of July cookout/party this Friday and I have several photo shoots I want to do over the next couple of weeks, and for anyone that has ever shot with me, you know how much I love to kneel and get low on the ground for a photo shoot.

Lately, it's been tough to even play with my granddaughter, and chasing her has been nearly impossible. Still, I can pick her up, hold her and hobble slowly over to the tree to let her climb. I better get this under control before the next two come along at the end of the summer, or I'll be in real trouble.

New Models, Projects, and Frustration

I'm a member of several photography sites and forums. I have a portfolio on One Model Place, another portfolio on Model Mayhem, a Flikr account, as well as an account on Photo.net. I'm pretty well established as a photographer on several forums and in some print media as well. So, you would think that I would have too much trouble finding new models to work with as I develop new projects. Unfortunately, that doesn't seem to be the case.

I recently put out a casting call for a series of projects that I plan to work on over the summer months. The casting call was for ethnic models, specifically black, asian and latino models, but of the 14 response I've gotten to the casting calls, only three models have actually taken the time to meet with me. Of those, one is actually moving away from Oregon in the next couple of weeks, so I'll be unable to use her in my projects anyway. The other two are in Salem, which is much more difficult, logistically, for the shoots, but because both models have acted professionally and have significant interest in shooting with me, I'm planning to use them for the project.

What I don't understand is why some models will respond to a casting all, indicate interest, and then refuse to meet with me to discuss the projects to determine if they would be a good fit for what I have in mind. I made it very clear in the casting call that I would work within the limits the models set for the images I wanted to shoot, but it seems every time I call or write the models that indicated interest, I get no response from the majority of those who replied.

It's really a shame because I would like to find two or three models I could use on a regular basis to explore different aspects of photography (Muses so to say). Sierra is probably the closest model to that right now. At least she's dependable. I think these other two models will work out quite well too, but I really do need another model with an African background to add to my portfolio as well. So, if you're a black female model in the Portland, Oregon area and you'd like to work with me, drop me a line please. :)

Post Processing is fun? (NSFW)

Shoots are fun, but there is still lots of work to be done once the model goes home.

I haven't posted many new images here lately, primarily due to the amount of post-processing that I need to do on the images before I consider them ready for publication. Now, don't get me wrong, I think it's the photographer's responsibility to get lighting, exposure and composition right in the camera so that minimal post processing is required, but in the digital age, some post processing is required for almost all images, especially when working with human models.

In all cases, due to the anti-aliasing filter used in most Digital SLR cameras, some sharpening must be done post processing, especially if you're like me and shoot RAW. Even if I shoot JPG I have sharpening set to minimum so I can use the more powerful algorithms in my computer to sharpen the images instead of the smaller, less powerful CPU's in my cameras.

In addition, the best white balance can be set and fine tuned with the computer and, of course, the histogram and image curves can be adjusted to give the best details in the highlights and shadows.

Finally, models do not have flawless skin or hair. Often times a blemish, or even several blemishes will need to be retouched away. Small wrinkles will need to be de-emphasized or obscured, while wisps of hair will need to be removed from the face. Small threads have to disappear from the edges of clothing and fabric, and the overall look of the image will required some sort of treatment: B&W, a subtle color shift, selective coloring, additional vignetting.

Post-processing an image is what moves photography further along the scale toward art rather than merely the craft of recording a scene. After all, Ansel Adams did his best work in the dark room.

Lisa

I had the distinct pleasure of working with a new model today. Lisa was prompt, professional, and very classy. She takes direction easily, self-poses and understands the photographic process. She understands hot to quickly accommodates the photographer's needs. She collaborated completely in the creative process and provided excellent suggestions on how to make the shoot better. Her enthusiasm was invigorating and contagious and made the shoot one of the best I've done in a very long time.

We were able to get through several scenarios in about 2 1/2 hours of shooting and it was definitely enjoyable for both of us. Lisa is very photogenic, curvy and has great legs. We were able to have a great conversation throughout the shoot which made it even more enjoyable for us both. I certainly look forward to shooting with her again.

Themed Photography

I've been working on a series of photos with a unifying theme for a while. I've completed the first set of the series, and it seems that I have models lined up for at least the next half-dozen or so sets. The problem is that I can't seem to get the coordination of models, costumes and weather to cooperate to make much progress on the series. With any luck, though, I'll make better progress this year.

Although, I have no set deadline for any of the sets and the series is open-ended, it would be good to get at least a couple of more sets done this year, possibly even more. Last year there was just so much happening in my personal life that my photographic projects took a backseat to everything else. This year should be better.

I have several photographic expeditions planned and a couple of new and interesting models to work with so I'm looking forward to a fun spring, summer and fall. I already have three locations scoped out for my projects and ideas for what to shoot for each of the sets. So wish me luck.