August 2009 Roadtrip

Last weekend, Wanda and I decided to take a couple of days for ourselves and do some driving and shooting. We got up very early on Friday morning, 4 am if you can believe it, and drove down to Crater Lake for the day. My goal was to shoot some landscapes in infrared, and Wanda's was simply to get away from the house and spend some time in nature. She finds the lake a very restful and peaceful place, and wanted to get out of town for a a bit as well.

It's quite the drive from Portland to Crater Lake. It typically takes anywhere from 5 - 6 hours depending on the traffic and the road conditions. Because we left so early, there was very little traffic to impede our travel, and we made to the North Entrance of the park around 9 am. We checked the weather the night before, and unfortunately the forecast had changed from earlier in the week from mostly sunny to mostly cloudy with a chance of showers. Since we had made plans for the entire weekend which included some time in Bend shooting the Cascade Lakes and visiting with some friends, the trip was on regardless of the weather.

When we got to the Crater Rim, the water was so still and quiet that the clouds were reflected almost perfectly such that it looked as though you were looking down into the sky. We took the time to hike up to the Watchman's Tower which is where the above shot was taken. The hike took us about and hour, and it was quite windy at the top of crater rim where the tower was located, so we didn't linger too long admiring the view. It was kind of neat to look down into the small crater at the top of Wizard Island though.

After our short hike, we continued around the crater rim to the Rim Village where we had a cup of hot chocolate, purchased some souvenirs as gifts for the grandkids, and walked down to the Crater Lake Lodge. While there, I took the opportunity to take a few infrared landscape shots of the island. That image can be seen above.

From the Rim Village we drove down to the Pinnacles. These are geological formations created when fumeroles were fused, buried by subsequent eruptions and then years later exposed when the surrounding ash and soil were eroded away. They are strange and interesting formations, and Wanda had some fun shooting them with one of my cameras.

The Pinnacles:

As we wrapped up shooting the Pinnacles, it began to drizzle, and though we had planned a picnic lunch, we decided to finish the rim drive, exit the park where we entered, and then head on up to Bend for dinner and a good night's sleep. We had reservations for two nights at a hotel in the Old Mill District, and we knew there was a weekend concert and art show planned during the our stay.

We got into town around 5 pm, checked into our room and decided to check out the art show before dinner. There quite a number of booths set up and an eclectic collection of art on display - sculptures, photographs, quilts, paintings, crystal, glasswork, and much more. We didn't purchase anything, but we had fun walking around and looking at the various displays.

After the short walk through the art show, we stopped for dinner at Greg's Grill. The meal was quite delicious, but the most enjoyable part of the evening, was sitting around the large gas firepit outside the restaurant enjoying the music from the concert and chatting with the locals. While we were there savoring the company, the music and our drinks, the weather began to clear and soon we were able to enjoy a lovely sunset. Unfortunately, with our previous 4 am wakeup call, we had to call it an early night and head to bed.

The next day we met with some friends for coffee, then headed out to shoot the Cascade Lakes for another day of shooting. We managed to get in some photography at Sparks Lake and Devil's Lake, but not much at any of the other lakes because of the sheer number of people out enjoying the day.

On our way back into Bend from our day's outing, we stopped at a meadow by Spark's Lake and had our picnic of hummus, flatbread, fruit and cheese. It was a quiet and peaceful meal and most relaxing for both of us. Afterwards, we did a little more shooting, and Wanda managed to catch me in my classic "shooting a landscape pose." And here's the final shot from that day:

When we got back into town, we stashed our gear in the hotel room, then took a short walk downtown to the Deschutes Brew Pub for a locally brewed beer. Later that evening we met our friends for dinner, had another lovely meal with good conversation, and got a good night's sleep before our trip home the next day. Before we went to sleep, however, Wanda made sure we got the laptop out and planned our next few get-away weekends in advance.

Barefoot Glamour

I got to shoot with Cathy K. again this week. We tried a couple of different locations this time, but I still put her in the water at both locations. She's a good sport and didn't mind (too much).

Our first shoot location was in the Tillamook Forest at the spot where I shot my Water Fairy last year. The spot features a wide, shallow area of the Lower Nehalem River. Here, in the summer at least, the water is tolerably warm, and if shot at the right time of day, is quite blue. The day we shot, however, the river was a bit too shallow to get the deep blue color that I've managed to see there in the past. We did, however, get quite a few shots in before the sun got too high and we lost all of our open shade.

Once we lost the light there, we decided we would take the ride out to Ecola Point State Park and do some shots there. Cathy was quite eager to do this as she hadn't been to the park before and I had promised her a great view of the Oregon Coast. I also think we was eager to dry off and warm up.

We first went the the viewpoint which juts out from the surrounding cliffs and offers a wonderful view of Cannon Beach to the south, and Indian Beach to the North. It was not a very windy day there for a change, so it was quite comfortable shooting at the point. For this shoot, Cathy wore a black linen beach dress, and we had quite a lot of fun shooting around the various tourists and sightseers.

After about 45 minutes at the viewpoint, we drove down to Indian Beach for some shots on the beach and in the small stream that runs down to the Pacific. Little did Cathy know at this point that I would be putting her in the water again, but I think she might have guessed what was going to happen once she saw the waves and the small stream. Still, she was as game as ever, and even went pretty far out into the Pacific to kick up some sand and water. I dared her to kick water on me, but since I was shooting with a 70-200 f/2.8L IS zoom, there was little risk she could actually reach me. It was a fun shoot and both the photographer and the model had a great fun.

Completed Shoots

I've completed processing a number of shoots lately, but I"m still working on several more. I have three shoots scheduled for this weekend, and just finished one more yesterday evening. Photographically, I've been quite busy, but I've been having a blast and enjoying stretching my imagination and skills for each of the shoots.

I've been processing images for the models as they've picked them out for their TFP (Time For Print) sessions, but I'll still have plenty of images to processes over the winter, as well as a couple of other shoots that will occur during the cold season when we actually have snow on the ground.

I did a couple of photo sessions featuring three different models using a military theme. The first one, featuring Jennifer and April, was shot at Dragonfly Landing with the assistance of my good friend Mark, who shuddered with dismay each time I set my 5D MKII or my 1DsMKIII on the ground, and his girlfriend, Rainbow. That shoot went quite well, and the models were quite fun to work with, though a bit inexperienced and not used to taking directions or self-directing.

The other military glamour session was with Gabriell as part of her portfolio development, which is mostly complete at this point - at least as a starter portfolio. Shooting with Gabriell was both planned and not planned. Originally my idea was to shoot landscapes in the morning, starting and Ecola Point and Cannon Beach, then meet Gabriell later in the day in Newport and do more of a fashion shoot in Newport or Lincoln city. The day we were supposed to shoot, however, it was quite cloudy and cool; not exactly a day for shooting landscapes, so I just shot on down to Florence and spent the day shooting with Gabriell.

We did several themes that day. We started with the military shoot, then found an abandoned rail car and did a gypsy shoot. Nearby was a old gate where we did a country girl shoot, and then we used the abandoned rail line for a nude shoot. Finally, we finished up the day by shooting Gabriell as a pirate.

Gabby has come along quite well as a model. With a little effort she could do quite well as a glamour model and I think she would do especially well as a promotional event model since she has an outgoing personality and a girl next door look. Here are a few more of her looks from that day's shoot:

This is from our gypsy glamour shoot with the abandoned rail car.


And one from our Pirate shoot:


Tomorrow I have three shoots planned. I'll be shooting the Reaper Fairy with Gabriell's mother, Bridgett, ladies in chains with Wanda and Bridgett as the models, and in the evening the final Fire Fairy, with Melanie. Of course, I have more images to post from some of my other shoots as well, so there will be a number of future journal entries here show-casing those images. Right now, though, it's time to for bed so I can get an early start setting up the studio tomorrow.

Shoots, Post Processing, and Models, Models, Models

I've been quite busy since my return from vacation. Not only have I had to catch up on my real job (always a task when you take a few days off), but I've been working quite hard on post processing a number of images for the models I shot with during my time off. One very nice benefit of my Fae in All of Us project has been that I very seldom have to search very hard for models. In many cases, they now come to me and want to be part of the project. Additionally, though I'm not charging the models for images right now, I can see that there is certainly some opportunity to do so in the future. The drawback, or rather the reality of the situation, is that once the images are shot, I have to post process a number of them for the models so they can have them for their portfolio, and I do try to turn those around very quickly. That's been my primary task each evening for the last week. That, and I've had to prep the photos from Jocelyn's birthday and get that CD to her mom (who is a scrapbooking fanatic and who has very little tolerance for delay - yes, I mean you, Kristin). Fortunately, she should have her CD by now as it was mailed a few days ago.

We actually had a great party for Jocelyn, made even better for the fact that her daddy was able to get back to Tracy from his ground school in Tuscon, Arizona. He made it back home the evening of her birthday, and was able to be there for the entire birthday party weekend, though a good bit of that time was spent packing up their household for their move to Chandler, Arizona where took a new job. The party was on Saturday, we finished packing on Sunday, and they took off for Arizona on Monday. I headed home with Jocelyn's Auntie TT and cousins Ryker and Makayla on Sunday night, leaving Wanda behind to travel with them to Arizona to help with the baby. The theme of the party was the pool, and Kristin pulled it off quite well with some help from her mother and mother-in-law. The photo above is of Jocelyn and Ryker enjoying the pool with Kristin, Tanith and Jan, Kristin's mom. The pool water was quite warm, but still refreshing in the heat.

What would a pool party be without rubber duckies, and especially and ducky birthday cake? I think there were about 40 or 50 rubber duckies used for the party, but I didn't exactly count them. I know I sure bagged a lot of them up the next day when we were packing out the rest of the house. To go along with the cake, Jeremy grilled some beef, and there were lots of munchies and drinks for everyone to enjoy. If you left that party hungry, it was your own fault because there was plenty to eat.


Jocelyn, of course, got to have some cake. We think she liked it quite well, given how she grabbed a couple of handfuls and stuffed it into her mouth. Her daddy thought it was quite funny, as long as she didn't get any on his shirt (he's a bit anal when it comes to his clothes). She did get it smeared into her hair and all over her face, but that's what babies do. Everyone else enjoyed the cake as well, including Ryker and Makayla, but in general the rest of us were a bit neater than the little girl of the hour.

Later this week, I'll share some of the images I made during the last couple of weeks.

New Models

I've been interviewing and working with a number of new models lately. As I've built my portfolio with new and various images from my fae project and with other examples of my glamour work, it's been easier to explain my vision to prospective models and engage them in a conversation about potential projects on which we can work together. Last week, I was able to do a test shoot with a young model called Heidi who will be one of two girls posing for my Fire Fairy shoot. We shot under the St. Johns Bridge in North Portland and we were able to get some very nice images along the river and on the steps beneath the bridge.

I did a test shoot with the young lady that cuts my hair yesterday, delivered her some prints today, and I think she is seriously considering shooting with me for the fairy project. At least, she told me she enjoyed our little photo session and wanted to do some more.

This week I'm hoping to do test shoots with two more models who want to be part of my project, and next week with any luck I'll be shooting with 2 more models who want to be fairies as well. This is all good, because I think this project is coming to a temporary close. By this, I mean I hope to have the necessary images completed so that I can begin working on designing the book for which the images are intended. My goal is to pick the final images for processing, layout the book and design the pages, and write the prose to go with each set of images during the winter and early spring. This should allow me to get the book into publication by summer.

Once this is complete, I guess I'll start working on my next project, whatever that might be. I'll need a project, though, because that give purpose to my photography and lets me exercise my creativity in a more purposeful manner.

Post Project Blues

Wanda is feeling kind of antsy this week. I told her it's because her paver project is complete and she doesn't have as much to work on right. I just hope that doesn't send her looking for another big project to do before we go to California near the end of the month. Still, I'm sure she'll find some smaller projects to work on between now and then.

The paver project actually turned out quite well. It was quite a lot of work for both us and the contractor. In the future, though, I think we'll contract for the entire job and forgo the pain and pleasure of doing the grunt work ourselves. We dug up and moved better than 10 yards of river rock and dirt in order to prep for this project. It supposed saved us some money, but I'm not sure it was worth it. We started with this:


We moved all the river rock to a tarp in the driveway and then put an ad on Craig's List offering free to anyone who was willing to haul it away. The first load looked like this:

The pile got much higher before the first person came to get their share, and we moved about 3 more piles even larger than what you see above. Fortunately, we had enough folks willing to take the river rock that we didn't have to haul any away ourselves. Eventually, with the liberal use of shovels and pickaxes, we got the river rock out and the ground looking like this:

Fortunately, it didn't rain that entire week, otherwise it would have been a huge, muddy mess. Unfortunately, the temperature soared into the 90's that week and the heat made a difficult task even harder. On July 3rd and 4th the materials arrived for the project and we took a day off to enjoy the holiday with our family.

Then the contractors started to work. First the gravel went in:


Then Wanda decided on the pattern and the initial blocks were laid. Of course, I had to go get more gravel, then more pavers, and then more sand.....

And then, at long last, it was all done:


The contractors finished up the job while I was out shooting one of my fairy shoots. I was so glad to return home to find the pavers in place. I still had to move everything back out of the garage as well as dig and lay new sod at either end of the house, but it's done and it looks good.

A Muse

I believe I need a Muse. I just don't think I'm creative enough when it comes to my photography or to my writing for that matter, and I need someone who can inspire me to stretch beyond the limits of my existing creative process and who can listen to my proposals, my ideas, and my conceptual theories without initial judgement, or negativity and then help me refine them into feasible shoots. That Muse would also help me execute those concepts, either as a model or as an assistant.

If would be great if such a person were also technically adept in photography, but not essential. It's the creativity that's important--the ability to help me sort the kernels of great ideas from the mundane chaff of mediocrity. More importantly, a Muse would propose her own ideas with a unique perspective and a feminine touch and allow me to mold them into derivative concepts to execute. This would help me to get out of this creative rut that I feel that I've been in for the last year or so, and would perhaps help me to find my own intrinsic vision while infusing me with new enthusiasm.

For many years, Wanda was my Muse. For the last 33 years, she has been my model and my inspiration for many ideas. She has borne my experiments with good grace and cheer, and has often put herself in precarious situations so I could achieve a particular shot. She has climbed trees and rocks, stood in ice-cold rushing water, stood nude in snow banks and blizzards, walked on ice, and generally has done whatever I've asked of her for my shoots.

Unfortunately, as my passion for photography, and my technical skills have grown, Wanda's interest in my work has waned. I can hardly fault her for that. Over the years, I've taken literally tens of thousands of photos of her, and today she is far more interested in her own hobbies and interests, and the extent of her interest in my photography is the images I make of our grandchildren and of family events so she can create her wonderful scrapbooks. She still supports my photographic projects, but she has no enthusiasm for them, and I can understand that.

It's unlikely I'll find a new Muse. While it's not difficult to find models, a Muse is a more personal relationship, and platonic though it may be, there does have to be some emotional and creative connection in place. There has to be friendship as well as a working relationship. It sure would be nice though.

I Lost My Arbor

Wanda has yet another project going on this year. Now that the living room is completely refurnished, she wants all the river rock dug out from the side of the house and pavers put in place and a walkway added to the deck. Okay, I want to get rid of the river rock myself. The previous owners had put it in because they used that side of the house as a run for their dog, but we don't have a dog and the rock is a real pain in the rear when I'm trying to get the lawn mower from the front yard to the back and vice versa. Besides that, any attempt to walk on that surface without sturdy shoes is a exercise in masochism resulting in bruised soles and stubbed toes.

Once again, Wanda has done weeks of research, picked out the paver colors and patterns, and has dragged me to several landscaping suppliers to look at the difference between Appian, Boston, Camino, Roca, Arena, Octo, Holland and many, many other styles of stone. I've also had to look at Basketweave, Herringbone, Linen, Muster K, Step Running Bond, and Running Bond patterns using the various types of stones. This is not a simple project.

We looked at doing the job ourselves, but we simply don't have the expertise (or the backs) for that kind of labor, so she's had 4 or 5 contractors come out to bid on the job, and on Saturday she chose the guy who spent the most time explaining to her what the job entailed and how the various patterns would look - in other words, he spent more than 20 minutes measuring the area and simply providing her with a quote.

As part of the contract, we agreed that we would take out the existing river rock and provide him with a clean dirt area to level and fill before setting the gravel, sand and pavers. We thought, "Hey, a little manual labor will be good for us." Five yards of loose gravel and strained muscles later we're thinking, "Hey, we aren't as young as we once were!" The loose gravel came out, if not easily, at least without heroic effort. There is, however, the matter of the gravel that has been packed down into the dirt for the last 18 years. It's kicking our ass!

So, given that we want the project to start Monday after the 4th of July weekend, as well as realizing that if we want to keep our bodies relatively whole and not sore during the holiday weekend, we've hired some young labor to help remove the remainder of the gravel. I think at $10/hr it's a relative bargain, though I suspect it will take most of two 8 hour days to get the job done. Sometime, near the end of next week though, the side yard will have had a very large face-lift and will be suitable for the grandkids as a play area.

Unfortunately, as part of the project, I lost my vine covered arbor that divided the side yard from the backyard and which provided me with a lovely photographic prop. I put the arbor in over 11 years ago and had been carefully training the ivy to grow up one side, across the top, then down the other side. It was really looking good too.

I had thought we could simply lift it out of the ground with the vine still attached and move it to the side and out of the way during the construction process, since the lead runner was so thick and long. Alas, the posts of the arbor had dry rotted and all four broke off when we attempted to move it. Also, during the process of attempting to untangle the vine from the lattice work, the main runner broke (Wanda did it - not me!).

Removing the arbor does make the area look more open, but darn I'm going to miss it. It make a great background for photos. Just take a look for yourself:

Christine as a schoolgirl:



Holly from behind:



I'm really, really going to miss that vine covered piece of painted wood.

Woodland Pixie

I finished another photo shoot in my Fae in All of Us project this past Friday. Once again, I shot the images in the wooded area at Dragonfly Landing, the property that belongs to my good friends, Mark and Gabi.

It was a wonderfully warm and sunny day for the shoot, which lasted about 2 hours. I had the model in makeup and costume by 4:15 and we wrapped up shooting by about 6 pm when the we lost the nice bright patches of sunlight that manage to pierce the thickly canopied wooded area. By the time we were finished shooting, though, the poor model was shivering, despite the warm wraps provided for her between poses.

Amy, the model, was genuinely sorry she was so cold, and kept expressing concern that her shivering would show up in the shots. She wanted to help me get some great images and she gamely pushed through the entire shoot without a single complaint. She was quite fun to work with and came up with some great ideas that contributed to the shoot.

A very slender and young model with golden brown dreadlocks and a natural look, Amy matched my mind's image of a Woodland Pixie, and when I saw her portfolio I felt she would be a great choice for this shoot. Based on a quick scan of the images from the shoot, I feel certain I was right in choosing her for this project.

Next up - Bambi as my Flower Fairy.

Thirty Years

I've been messing around with cameras and making photos for over thirty years now. I purchased my first "professional" camera thirty years ago this month (I just came across the receipt). In the intervening years, I've taken tens of thousands of photos (or more), and lately I've been going back through the older ones, scanning them, and putting them in an archive. I've also been sharing some of them on MySpace and Facebook for smiles and grins. The older images have garnered some responses from some of my old high school friends, as well as some of my relatives and new friends.

In 1981, I moved to Upstate New York on an assignment as an instructor at the Navy Nuclear Power Training Unit in Balston Spa, New York. While I was there, I took a course in photography from the New York Institute of Photography, and then I began working with models and shooting weddings. I was all of 21 years old at the time, and photography was simply a way for me to express myself outside of work.

I think I've become a much better photographer since then, but I did want to share a few images from those first years and that first camera. Remember, these were scanned from prints that were quite old, so don't laugh too hard. :)

Toni was one of my first models. She contacted me through an ad that I placed in a local newspaper. I think I might have paid her something like $5 an hour to pose for me. She was a very sweet girl, but had an abusive boyfriend. She enjoyed modeling and could produce some very sultry expressions. She and her boyfriend lived in and managed a hotel on Saratoga Lake, but by the time I left New York, they were living in a small travel trailer somewhere off the beaten path. When she got pregnant with her first child, she inherited a lot of our baby clothes and toys that we no longer needed. I still wonder what happened to her. I hope she did well in life and went on to have a happy and successful career and family. I'll probably never know though.

Here are a couple more images of Toni which were shot in my attic studio:



Susan was another model of mine, but I only worked with her a couple of times. Not long after we started working together, she moved away to college. She was pretty, funny and smart. I'm sure she's doing well.




As you can see, I was still very much in a learning phase with my photography. While I knew the basics of exposure and composition, I hadn't had a great deal of practice yet.

Sue Gleason was my 3rd model in New York. I worked with her serveral times. We did at least three or four field excursions to shoot, including one up to Lake George where she startled me by stripping down and jumping into a cascading (and freezing) stream.

Sue was a hippie. I don't think I ever saw her in a bra - she preferred body suits and skirts, always kept one strand of her hair braided, and was wont to take off hitchhiking on a whim. I think she was the first model that ever tried to seduce me. No, it didn't work, but it wasn't for lack of her trying. :)

Here is Sue at a place called Rock City Falls, which was one of my favorite places to shoot:


Here is Sue, upstream from the falls posing on the log that you see Susan walking along in teh above photos:


And finally, here's Sue standing in the same stream. I can tell you that this girl loved being in the water....well, except for that one time she got into a pool of water at the base of a cliff, waded out about 20 feet until the water was up to her waist then realized, after the silt settled, that she had gotten into a pond of huge tadpoles. I never believed in "walking on water" until I saw her leave that pond. :)

So, there are a few memories and photos from the past. I'm sure I'll be posting more in due time.

Father's Day Shoot

For Father's Day, instead of relaxing and watching movies, playing games, or just having some downtime, I spent the day prepping and shooting a set of portraits of my grandson (and his dad). First, I had to clean out the garage from all the yard items that were moved there the day before for my granddaughter's 3rd birthday party. Then I had to set up the backdrop, the fog machine and a set of gelled lights (one softbox with a flag, one gelled light on a boom with a 40 degree grid, another gelled light on a floor stand with a 30 degree grid, and the final gelled light on a floor stand with barndoors). Finally, I had to test and adjust the lighting.

The setup had to be right from the start, since I didn't want to unnecessarily subject my grandson to the fog, so I had my wife and daughter help me with the adjustments. Wanda was the stand in model, and my daughter operated the fog machine. I set the main exposure (the softbox) with a Sekonic L-508 light meter, then adjusted the gelled lights (height, direction and intensity) by monitoring the preview image on my digital camera (a Canon 1Ds Mark III with a 24-70 f/2.8L lens). The softbox strobe was an AB 800, the boom light was also and AB800, while the two floor lights wereWL 1600's. The softbox was triggered by a PW transceiver and the other lights triggered off optical slaves from the key light.

Here are the images with that setup:




For the remainder of the images, the gels and fog were removed, the black velvet backdrop was draped on a table, and the fire fighting gear was set up per Ryker's dad's specifications. I then added a large Photoflex reflector on the right side of the image to provide for more even lighting across the portrait. Ryker was getting a bit fussy by this point, but we cajoled him into some nice expressions:





For the final image, I pinned an American Flag to the background and lit it with a non-gelled AB800 with a 40 degree grid.


The lighting in the first two shots will be similar to what I will use for my Fire Fairy shoot.

The Fairy of Photos?

One of the concepts I forgot to mention in my last post was that of the Photo Fairy. The concept statement for this series of images goes something like this: "The photo fairy is one of the fae muses. She inspires creativity and new perspectives, and oddly enough, she likes to get into lots of contorted positions while using her cameras." Keeping that concept in mind, and knowing the long lives of the fae, I extended to concept to conclude that this fairy would have quite a variety of cameras with which she could shoot. Fortunately, I have quite a number of camera bodies and lenses, some of them quite old, which can be used a props to support that particular theory. Above, you can see a photo of one a Polaroid Land Camera 100 - one of the first cameras with an electronic shutter and the first Polaroid utilizes pack-film. It was produced and sold in the early 1960's.

The camera you see to the right is a folding Medium Format Camera from Kodak. Based on my research, I believe it's a Kodak Vigilant Six-20 made in the years 1939-49. The Vigilant Six-20 has a folding frame finder incorporated into its top housing, and another optical finder near the shutter.

I've had both these cameras for over twenty years, as they were a gift from my mother-in-law. They've been part of the decor in my office for as long as I had an area to call my own. It's nice to be able to put them to use in one of my photographic endeavors. I'll need to clean them up a bit before the shoot, but both of them are in pretty good shape for their age.

Of course, I'll be using some more modern cameras as props in the shoot, but on Tuesday I found a camera that was quite affordable and was perfect for the shoot. It's a Kodak SpeedGraphic 4x5 view camera and it's in working condition. There's a small chip broken off the ground glass focusing plate, but the bellows is tight and the controls work quite well. The shutter works and though it took me a minute to figure out how to set the shutter speed and aperture.I think it's the perfect prop for the shoot.

The model wants the final images to be B&W and infrared, which I think is an excellent idea, though I'm thinking of editing the images to make them appear consistent with the images that would have been taken with the type of camera she would be using for the shoot. So, if we start with the older cameras and move to the more modern ones, the images would be come cleaner, clearer, and the final images would be in color.

The model for this shoot? Well, I think I've talked my lovely wife into participating with this one. She used to be my primary model for all my shoots, but since she's become a grandmother, she's much less inclined to model for me. But, this image was taken just a couple of years ago, and I still think she's good model material. :)

Summer Shoots (NSFW)

I'm currently scheduling my summer photo shoots. The current of shoots include:

1. Woodland Pixie (tentatively scheduled for June 26th with Amy M. of Model Mayhem).
2. Dark Fae (tentatively scheduled for July 11th with Sarah T. of Model Mayhem)
3. The Reaper Fairy, tentatively scheduled for sometime in July with my good friend, Bridgett (note to self - get Bridge on the hook for a specific date - she gets too busy otherwise.)
4. Fire Fairy - I have to get this shot this summer. The model I want to use is currently not available but has told me she'll be able to shoot sometime in June. I have two models I want to use for this, but since it's a very complicated lighting setup, I'll need to schedule the two models on consecutive days.
5. The Forge Fairy (and his assistants) - which will get shot as soon as my friend, Mark, can spare the time.
6. Fashion Shoot - with Gabriell for her portfolio (to be determined).
7. Special Forces Fairy - with camo wings, a carbine, and an attitude!
8. Plus some barefoot glamour, fashion and other shoots as I can fit them in.

It's going to be a busy summer. Here's an image from my 1st shoot last summer.