This has been the coldest, wettest April I can remember since moving to Oregon in 1996. The ivy that covers the wooden fence around my house should be covered in fresh green leaves, but is instead only just now budding. The Japanese maple should full of color, but is bare and covered with moss.
Although this weekend has been nice with dry weather and relatively warm temperatures, it has been nothing like our normal April. We're all hoping that May will be better and we'll actually get more than two days of nice weather in a row.
The long term forecast calls for a hot dry summer. One can only hope, and I certainly do, as I have a number of outdoor photographic projects I plan to shoot with various models this summer. I'm giving up some of my normal faire and festival events to concentrate on expanding my portfolio to complete at least three more shoots in my fairly project. I've lined up at least three models already, including a lovely Asian girl, a Latino beauty, and blond-haired, blue-eyed lovely who will be my Winter Fairy (you've seen her in my portfolio already as I've done a couple of shoots with her).
So, although the weather has been less than conducive to photography, I've been working on planning for these projects (gather costume material, visualizing the images in my head, and getting the locations planned out for the shoot). I do need to find someone interested in being my photographer's assistant for the shoots, but I don't think that will be too difficult.
In the meantime, I'm continuing to post-process the images from my last few shoots. The model above, Lisa, has a very natural look, is very fun to work with, and when we finished our shoot, left me with over a 1000 images to sort through. Of course, not every image will be used or processed, but they still need to be reviewed and the best poses tagged for use. That should keep me busy until the weather gets better.
Family, History and Love
Wanda and I have been discussing, of late, the need to set down in writing some portion of our family history so that in the future our children and grandchildren will have the stories and tales of our lives direct from the source. The technophile that I am, I choose to do this online so that the what we write will be accessible and available for comment to our wider family (though I reserve the right to moderate those comments).
To that end, I have repurposed this blog. In coming posts, we will endeavor to provide an abridged story of our life (hey, everyone has their secrets). We're writing this for our children and their children and those that come later so elements of these tales will be familiar only to our family,
Sunday, April 27, 2008
Sunday, April 13, 2008
Post Processing is fun? (NSFW)
Shoots are fun, but there is still lots of work to be done once the model goes home.
I haven't posted many new images here lately, primarily due to the amount of post-processing that I need to do on the images before I consider them ready for publication. Now, don't get me wrong, I think it's the photographer's responsibility to get lighting, exposure and composition right in the camera so that minimal post processing is required, but in the digital age, some post processing is required for almost all images, especially when working with human models.
In all cases, due to the anti-aliasing filter used in most Digital SLR cameras, some sharpening must be done post processing, especially if you're like me and shoot RAW. Even if I shoot JPG I have sharpening set to minimum so I can use the more powerful algorithms in my computer to sharpen the images instead of the smaller, less powerful CPU's in my cameras.
In addition, the best white balance can be set and fine tuned with the computer and, of course, the histogram and image curves can be adjusted to give the best details in the highlights and shadows.
Finally, models do not have flawless skin or hair. Often times a blemish, or even several blemishes will need to be retouched away. Small wrinkles will need to be de-emphasized or obscured, while wisps of hair will need to be removed from the face. Small threads have to disappear from the edges of clothing and fabric, and the overall look of the image will required some sort of treatment: B&W, a subtle color shift, selective coloring, additional vignetting.
Post-processing an image is what moves photography further along the scale toward art rather than merely the craft of recording a scene. After all, Ansel Adams did his best work in the dark room.
I haven't posted many new images here lately, primarily due to the amount of post-processing that I need to do on the images before I consider them ready for publication. Now, don't get me wrong, I think it's the photographer's responsibility to get lighting, exposure and composition right in the camera so that minimal post processing is required, but in the digital age, some post processing is required for almost all images, especially when working with human models.
In all cases, due to the anti-aliasing filter used in most Digital SLR cameras, some sharpening must be done post processing, especially if you're like me and shoot RAW. Even if I shoot JPG I have sharpening set to minimum so I can use the more powerful algorithms in my computer to sharpen the images instead of the smaller, less powerful CPU's in my cameras.
In addition, the best white balance can be set and fine tuned with the computer and, of course, the histogram and image curves can be adjusted to give the best details in the highlights and shadows.
Finally, models do not have flawless skin or hair. Often times a blemish, or even several blemishes will need to be retouched away. Small wrinkles will need to be de-emphasized or obscured, while wisps of hair will need to be removed from the face. Small threads have to disappear from the edges of clothing and fabric, and the overall look of the image will required some sort of treatment: B&W, a subtle color shift, selective coloring, additional vignetting.
Post-processing an image is what moves photography further along the scale toward art rather than merely the craft of recording a scene. After all, Ansel Adams did his best work in the dark room.
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